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Articles and Essays, Happs!, Reviews, Words & Works of Others

Urgent Recommendation: Claudia Rankine’s CITIZEN

CITIZEN: An American Lyric by Claudia Rankine

Not racist? Hear, listen, and grasp social and race issues with the renowned author, playwright, and poet. “I don’t think we connect micro-aggressions that indicate the lack of recognition of the black body as a body to the creation and enforcement of laws.” Claudia Rankine said last fall in BOMB.
Wait, what’s a “microaggression”?? These words matter.
CITIZEN: An American Lyric divulges and dissects day-to-day, often sub-surface racism and its effects beyond the moment. Her fifth poetry book, it made history, nominated for two National Book Critics Circle Awards, for Criticism and for Poetry; it won the latter, along with the NAACP Image Award, PEN Open Book Award, and others, and is the only New York Times nonfiction bestseller of its lyric kind.
CITIZEN calls out in solidarity if you’ve ever been run into by an armored tank of racial marginalization or been caught in a nasty traffic jam of intersectionality. Rankine calls you to action if you give a hoot or are susceptible to participating in systemic racism. Cultural theorist Lauren Berlant described in the BOMB interview, “Citizenship involves metabolizing in the language of your flesh what you call the ‘ordinary’ injury of racist encounter.” Rankine’s prose details scene by the millisecond, along with internal reaction, piling on inevitable, immediate, smacking social resonance in fell swoop after fell swoop. Each scene rounds out with that “metabolizing” as it happens, or as its consequence plays out within black bodies and minds constrained by white hegemony and apathy.
Los Angeles’ Fountain Theater produced an adaptation in August, spotlighting the versatility of CITIZEN and Rankine’s multi-form and -genre work. Her dialogue and descriptions came to life on stage particularly smoothly: The ensemble cast rove among different characters, black actors facing white actors, playing out scenes of surprise verbal, contextual complicity or attack and slow-motion, time-stopped response, outburst, or restraint. Sitting, watching in your red theater seat became complacency; cringing and squirming in it were not enough.
In interactions of daily and professional life, how can white people stop colluding to enact racism, even if unintentionally? How can all people not commit and not accept racial microaggression? Recognition of such words and acts is a start.

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Articles and Essays, Works in Progress

Facebook Satisfaction Survey Response: Dissatisfied with Privacy and Grieving over Social Experiments

Facebook Satisfaction Survey Response: Dissatisfied with Privacy and Social Experiments

I don’t like how difficult it is to figure out what can be seen by networks of people. I don’t like that even when a user sets something to only be seen by “Friends” network, for instance, or “Custom” select people, the post is not taken out of others’ NewsFeeds.

This is an issue in the “other” direction in a way, too–but primarily still an issue with the user not knowing how what is private or not works, and not having control or what is private or not private been set by or even *known* by the user:

I don’t like the algorithms where Facebook decides what a user sees of the user’s Friends or Networks, and of whom, in NewsFeed. Right while/after Facebook was “experimenting” with only showing people what some unknown person or group internally of Facebook (????kept undisclosed) were “happy” posts, I noticed that posts a young, troubled friend of mine were posting appeared on my friend’s profile page wall that I had not seen in my NewsFeed.  These were troubled posts…so I had not seen or known that my friend was having *so* much trouble. We use Facebook to keep in touch, to communicate, to know what’s going on with each other. When someone posts on Facebook with an open-privacy post, to Public, or sets the post to Friends or certain networks, the user–and the users friends and networks–are expecting it to be visible…available…in NewsFeed, and noticeable esp. when a person logs in or looks at Facebook at the time of or shortly thereafter a user posts. If I had seen these posts as they happened…as would be the case more so had they been in my NewsFeed as usual, and as expected, without those “experiments” on withholding posts that were deemed not “positive” or “happy” for a “happier” experience on Facebook…I would have interacted differently with my friend, and sooner, and responded to such posts, or contacted my friend some other way sooner. My young friend, troubled and posting about it to express herself, killed herself.  She expressed where she knew others could see, a form of reaching out, posting where she was under the impression others would see…her friends whom she was often too embarrassed to show weakness to in other ways or forms would see, her friends and mentors whom she expected to see these posts and to whom this was the most dignified way she could reach out…. But her posts did not reach our eyes as we expected, under and for the undisclosed purposes of purported and UNWITTING and NON-CONSENSUAL psychosocial experimenting by Facebook.

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